Deadpool is one of Marvel Comics’ most popular antiheroes with Deadpool Fuck Corona Shirt, perhaps fighting head-to-head with Wolverine. Out of Rob Liefeld’s pen and with contributions from Fabian Nicieza, Deadpool is one of the characters who have been reaping the most followers in recent times, whether perhaps because of his postmodern status (he is a character of the 90s) or his particular rebellious character in the face of the superhero archetype. There’s not much you know about this character, and it’s as much or less what he knows about himself. According to his own memories, Wade Winston Wilson (although he’s not sure if that’s really his name) is born somewhere in Canada (although some claims he’s actually born in Ohio, USA), but due to a traumatic childhood he spends most of his adolescence wandering around the United States.
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Like the typical Generation X boy, Wade had a traumatic childhood full of episodes of family violence and deaths. That’s why he decides to be in constant motion, traveling all over the country and changing identity as he needs, to get out of more than one problem.
Without many options and even in his teens, Wade decides to earn a living as a mercenary, training in different arms uses and offering his services as a hitman, though only accepting missions where the victim “deserves” death, at his own discretion. That same fondness for identity changes is a solution to their failed missions, making use of plastic surgery to modify his face and start over.
Later, Wade would be diagnosed with cancer, and that would be the final trigger to come forward as a volunteer for Project Weapon X (taking advantage of his new identity with Canadian citizenship), which would definitely change the rest of his days.
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Once in Department K laboratories, Wade is given the same treatment as Wolverine, with regenerative cells of the mutant himself. This is how the healing factor would eliminate the risk of cancer death, although leaving other fairly important aftermath, such as emotional and mental instability, as well as its totally disfigured face. Once in rehab, Wade would be assigned to a unit where he would team up with Sluggo, Kane and Slayback. Until the latter was killed by Wilson in an outburst of madness, leaving him out of the project and being transferred to hospice, a facility where Doctor Killebrew attends the “failed experiments”.
Among the patients there was a commitment to see who would be next to die, in what they called “dead pool”. Not before being subjected to intense methods of torture by Killebrew and his assistant (another of the patients, in fact), named Francis, later known as Ajax. These treatments of questionable morals would repeatedly leave Wade on the brink of death, a situation in which he would be visited by the mystical entity Death, falling in love with her, which ironically would incite the doctors to continue torturing it, being able to see her again.
Seeing himself as an object of mockery and in an attempt to regain his power, Francis decides to sacrifice one of the companions who had a good relationship with Wade, Worm, as revenge. Although as a form of respect, Wade decides to kill him and end his suffering.
According to Killebrew’s own rules, any patient who murders another must pay with the same coin, and that is why Francis (whose plan had worked perfectly) takes Away Wade’s heart, abandoning him to his death. What no one expected was that the contained rage would activate the healing factor, regenerating his heart and eventually murdering the unscrupulous doctor.
The horrors of war and his own life experience shape in the young Wilson a different vision to that of characters such as Spider-Man or Batman, and on his return to the United States resumes his career as a mercenary. His particular vision of death, while more superficial than in the case of other superhero psyche, does not avoid moral questioning. For Deadpool, death is a balance tilt, a symbol of justice. This way of moving around the world makes Deadpool an antihero, a character whose actions do not always respond to the classical hero’s ethical paradigm.
Beyond that, the character’s own character leads him to take life and death with humor, making him a very different character to more heroic and structured ones. That’s what earns him a place in the heart of many Marvel and comic book fans in general, especially as part of various superhero teams, where he performs a counterpoint as great as he does.
Thanks to his regenerative power, Deadpool is virtually immortal and really shows off that. That brings us to the question, what’s Deadpool’s limit? And the answer seems to be Deadpool Fuck Corona Shirt“. As we saw in several story lines of recent years, Deadpool is able to take down the entire Marvel Universe, while being used as a jester who simply with some lines of dialogue can entertain as much or more than other people do heroes with their magnificent battles. Generally, writers handle this resource very well and have perfected it through Deadpool’s inner voices (because it doesn’t reach with one). With sensible or more scragged origins, the internal monologues of the Bocazas Mercenary (as it has been called, due in part to the veryity of humor and irreverence) are as important as the “classic” dialogues, even being able to carry out the history, being able to also be part of the reader with references to different numbers of Marvel comics or to the present world.
Several monarchies still exist in the world, some of which came to lead great overseas empires. However, none of these crowns has come to do what today a microscopic body has been causing across the globe. Today we have a virus with such power that it has been able to radically alter the world order. Because of this for the first time in this millennium, entire regions and countries are completely isolated, emergency states, curfews and mandatory isolations of all inhabitants in their respective homes are eliminated, crossings are removed passenger travel, and a recession of the global economy kicks off.
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This new “king of the world” is called COVID-19 and has appeared a century after the famous “Spanish flu”, which caused the death of between 50 and 100 million a century ago. On March 4, 1918, when World War I ended, a pandemic wraged a population that had been shaken by the bloodiest world conflict and the greater wave of socialist revolutions that had ever occurred. This flu, which in Spanish only had the name but not its traits or roots, caused more deaths than any war in history.
The current virus has been causing such panic that it has achieved something that no epidemic has done so so far this third millennium. Many countries have suspended classes and attendance at numerous workplaces. Many nations have completely closed their borders or their transcontinental, international or even domestic flights. Several European powers have decreed the closure of any establishment that does not provide food or medicine. In a good part of nations it has been cancelled from trips between countries or regions that maintain the same free transit regime. This virus has been producing the cloistering of hundreds of millions of people throughout the orb.
Several personalities were infected: from the famous actor Tom Hanks to the “first ladies” of Spain and Canada. The rate at which this virus spreads and the absence of an antidote to it has accelerated panic. At the time of writing (as of mid-March 2020) it was estimated that some 160,000 people had been infected by this virus, half of whom were recovering. The percentage of deaths is between 3% and 4%, although this figure may vary.
The largest number of those affected are people with various diseases (respiratory, cardiovascular, diabetes, etc.) and especially older adults. In Italy, the second country in number of infected, the majority of the more than a thousand victims of COVID-19 are octogenarians. However, it is necessary to remember that there are other ills that outweigh COVID-19 in the number of deaths per day, such as tuberculosis, hepatitis B, pneumonia, AIDS or malaria. An even worse evil than any of these diseases is hunger, which in a few hours causes the deaths of more than the 6,500 cases of fatalities that COVID-19 has thrown in the last semester. While the crowned virus that affects the most are the people who have lived the most, the malnutrition it kills the most is those who still have little life.
If COVID-19 has had epicenters in China, Iran and Europe, Latin America has so far been little affected by it. In this region more havoc always causes dengue, a disease that in 2019 infected more than 3 million people killing thousands, especially in the Amazon. However, there is not much talk about this. However, the worst human killer is the wars themselves. The ones that have occurred in the last two decades when the US or its allies invaded Afghanistan, Iraq, Libya, Syria or Yemen have produced millions of deaths, injuries and displaced persons. Hope Deadpool Fuck Corona Shirt help them fight with this virus. What has caused COVID-19 to generate a collective psychosis is that there is not yet a vaccine against this virus, which apparently expands very rapidly and difficult to detect.
He was almost buried after appearing in X-Men Origins: Wolverine in 2009. It has been almost softened since the phenomenal success of Deadpool in 2016, “little” superhero movie at 60 million dollars that took more than 783 at the box office. Here he is back with Ryan Reynolds, star in front of and behind the screen of Deadpool 2, directed by David Leitch (Atomic Blonde, and uncredited co-director of John Wick).
By taking his bet more than thirteen times in Tim Miller’s film, the superhero Deadpool has gone from a naughty duckling scuttled by the blistered X-Men Origins: Wolverine and intelligently revived by Ryan Reynolds, to the central figure of the competition in the face of Avengers. At a time when Warner has all the difficulties of the world to impose itself with its Justice League despite a catalog of iconic names, and while the X-Men franchise begins to seriously get bogged down, the irreverent superhero, funny, politically incorrect and aware of its status has arisen in the landscape as a golden alternative. How then can you not get caught up in your own second-degree woven carpet, with meta nods and spades thrown at the industry, when you’re blithely bathing yourself in the Hollywood ocean in which you’ve peed? For behind the joke that gently torpedoes the competition, more by finely staged camaraderie than anything else, there is an X-Force movie planned for 2020, and shovel projects for the Cable embodied by Josh Brolin.
If Deadpool has every right to secure its future and offspring, like any (good) calibrated product, Deadpool 2 clearly seems to be a step backwards. Same formula with more action and silly, but less humor and rhythm: sacred cocktail for this failed sequel. Loved, adored and quoted for his humour, his self-deprecation, his ability to mock the genre, and break the fourth wall for avalanches of winks and cultural references, Deadpool leaves clearly to be desired in his second solo adventure. It is not the regular use of the keywords ‘bite’, ‘cul’ and other ‘whore’ that will give a semblance of energy to the dialogues and scenes, of an amazing platitude after a first opus that had at least for him his rhythm. Deadpool 2 is content to replay roughly and lazily the same dynamic between the hero and his elders (Colossus and Negasonic Teenage Warhead) and new accomplices (Russell, Cable, Domino). A sense of endless loop, which crushes everything in its path, whether it’s the charm of Deadpool itself, or the purely theoretical charisma of the new characters. Josh Brolin and Zazie Beetz may have a pretty fabulous charisma, and enjoy a very successful look, Cable and Domino find themselves luxury extras in the Deadpool parade. The opening credits are very telling: Deadpool 2 tries to re-stage the one of the first, which unfolded with an irresistible distance the basic program of the superhero film – and the mainstream Hollywood cinema at the bottom. Except that here, the rendering in the form of a parody of James Bond is as lame as ugly, reminds more Johnny English than anything else, and overestimates too much its value for its own good.
Deadpool 2 takes one by one the doors that it had so joyously shattered, and this from an endless and wobbly introduction to several starts. It will perfectly illustrate the difficulty that the film has to take shape, since scattered between several plots very clumsily assembled around a remix of Terminator, a parody of group film at the X-Men (which offers the only sequence really funny), and an embarrassing desire to give a little human depth to the superhero. With almost two hours on the clock, the sequel proves to be a terrible softness, giving the impression of an adventure launched by different ends, without ever really finding or assuming themselves along the way. Oversold in the promo, Cable and especially Domino do not have time to exist, while the kid played by Julian Dennison (discovered in Hunt for the Wilderpeople by Taika Waititi) is nothing but a tool for the plot. Deadpool’s teammates in the first, accompanied by a few new faces, have no other use than to be stupidly trampled for a smile (at best), when the use of a cult figure of comics will prove very stupid ( in the background as in the form).
intrigues to camouflage the inconsequenten mess of the thing.
The film oscillates globally between purely laughter-related phases that seem to be in autopilot (mentioning a couille, quoting another superhero, and starting over), and sequences of an absysal nonsense, where the second degree would have been good Useful. Even the avalanche of post-generic scenes is content to replay the running gags brandished for some time now by Ryan Reynolds to prove his self-deprecation, with a malice that feels at best withdrawn, at worst masked cynicism. Deadpool 2 has gained confidence. To the point of believing that having the hero who announces the arrival of “the action scene in synthetic images”, exempts him from making said scene something interesting or less empty and ugly than the competition. Convinced that it only takes a silent nod to the viewer or a word to Logan, Avengers: Infinity War and Batman v Superman: Dawn of Justice, to give him a pass-right that can mask his ugliness in terms of CGI and his lack of scope in action with Deadpool Fuck Corona Shirt. Convinced that his snoring little parade of regressive dirty kid, will enhance a sadly uninspired sequel, which heaps the characters and